Customer Reviews:
A Surprise!!!.......2007-12-26
An Enchanting Fairy Tale.......2006-10-25
Not your traditional fairytale :).......2006-05-07
great fun.......2006-03-28
A delightful new twist on a well-known fairy tale.......2006-03-27
Ella sets out on her long journey in the days preceding the coronation of Prince Char (Hugh Dancy). Char is pretty much the Elvis of the realm, with young ladies in waiting breaking out into hysterics whenever he appears and, more often than not, chasing him down like hounds after a fox. He first meets Ella during one such chase, and he is immediately taken by this young lady who doesn't swoon in his presence; in fact, Ella has a thing or two to say to the young prince because she is opposed to his uncle's royal policies that discriminate against ogres, elves, and giants. She knows what it is like to have to do something against your wishes, and that makes her most forthright in her political statements. As fate would have it, the two meet again, love blossoms, and the prince gets to see firsthand the unfortunate lives his non-human subjects have been forced into living. Eventually, they arrive at the castle, and fate's dark side decides to show up and torture the innocent Ella once again. The prospects go far beyond the ruin of her love life, however; they threaten the integrity and welfare of the entire kingdom.
Ella Enchanted is a somewhat unusual film. I daresay it's the only place you'll ever find "Cinderella" belting out a saucy version of Queen's Somebody to Love, for instance. It's a little jarring to hear Strange Magic as the film opens, but you quickly grow to love the entire soundtrack (especially if you're an adult - most kids won't recognize some of the classic tunes included here). I can't say the special effects are all that great, especially the ones featuring giants, but it is the story, not the special effects, which matter in this particular case, and Ella Enchanted really delivers story-wise. With its mix of humor and drama, it should appeal to most any viewer - and you can't help but be won over by the beauty and talent of Anne Hathaway in the lead role.
Ella Enchanted succeeds admirably in delivering a new twist on a universally known story of good vs. evil. I wouldn't rank it up there with Ever After, but it's definitely one of the better Cinderella adaptations I've seen.
Customer Reviews:
Get enchanted with this amazing movie.......2007-08-03
Great movie for all the family!.......2006-06-25
Ella , Anne , they are both enchanted!.......2005-01-12
Too much like candyfloss for comfort.......2004-12-06
It is about Ella of Frell, blessed at birth by a wicked fairy to always do exactly what people tell her to, and as she gets older she is constantly being told to do things that are against her own interest and those of people she loves. She sets out amongst elves, giants and ogres to find the fairy and have her revoke the blessing turned curse. And along the way she falls in love with the hunky king to be, Prince Char.
The script has a lot of workable and quite cute ideas and somewhat witty anachronisms, and it even attempts to be a political allegory for our time, and the aim is discrimination and apartheid. So, it is nothing if not well-intentioned, and by far the best thing that can be said about it is that Anne Hathaway and Hugh Dancy have a sweet, dewy-eyed rapport as the star-struck young lovers, and fine actors abound in supporting roles, notably by Lucy Punch as Ella's deliciously evil older stepsister, and Cary Elwes cast refreshingly against type as the Prince's evil, murderous uncle.
Having said that 'Ella Enchanted' looks, and tastes, too much like candyfloss for comfort, but what is worse, the computer animation used to show giants, humans and elves in interaction is excruciatingly artificial to look at, it actually looks a lot less real than papier mache used to.
The film was obviously intended for children and teenage girls, but is simply not well enough made to deserve a big following.
If Ella is not enchanted then Anne Hathaway certainly is.......2004-08-28
Second, this really is a movie aimed at kids. I say this because the key twist in this story is that when Ella is born a rather second rate fairy named Lucinda (Vivica A. Fox) gives her the gift of obedience. This means that every time somebody tells Ella to do something, she has to do it. Now, for kids, younger kids, this is a truly nightmare scenario. Parents and other adults are always telling you to do something: what if they could MAKE you do whatever they wanted? Endless chores, homework, and probably music lessons would be your fate, which is essentially what happens to Ella when she grows up to be Anne Hathaway.
Hathaway is the star of this film and what promise she showed in "The Princess Dairies" is fulfilled her as she plays Ella as more of a civil rights advocate than a would be fairy princess. This is because in the other fun twist the regent, Prince Edgar (Carl Elwes, playing for the other side this time having done the hero bit in "The Princess Bride"), has ordered all the elves, ogres, giants and other non-humans to live in the forest, at least when they are not serving as slave labor in behalf of the kingdom. Ella knows this is wrong and while every other eligible maiden in the land is throwing themselves at the feet of Prince Charmont (Hugh Dancy), Ella is more interested in giving the heir a piece of her mind on the eve of his coronation.
Since this is a take off of a sort on Cinderella we have to have the wicked step mother (Joanna Lumley) and her daughters, the mean one, Hattie (Lucy Punch), and the stupid one, Olive (Jennifer Higham). One of the most problematic elements in the story is where the good and kindly father (Patrick Bergin) marries the wrong woman. When the fairy tale was first told it was commonplace for widows and widowers to marry (it worked well for young Abraham Lincoln), but now adays the logic of such marriages is a hit and miss proposition: we buy it in "Ever After" and we laugh at it in "A Cinderella Story." At least Ella's dad is not dead but simply off on business while his new wife and step-daughters treat Ella like she was a maid who gets dirty from the cinders in the fireplace.
I saw this 2004 film is aimed at kids because the injustices that Hattie heaps on Ella are going to drive the young ones right through the roof. I am old enough to know that things will work out for Ella in the end and I suspect most kids will know that too, but I am also old enough to want Hattie to get more of a comeuppance than she does in this film (or its alternative ending). But then I also know why the original Cinderella wore glass slippers (I cannot explain it because children might read this review; if you ever read the original story of "The Little Mermaid" then you know that most of the classic fairy tales talk a walk on the dark side).
There are lots of creative little touches that help this film along. Mandy (Minnie Driver), the inept house fairy who tries to look after Ella, has a boyfriend named Benny (Jimi Mistry), who is trapped in a book. Open the book and Benny can show you where somebody is and what they are doing, which becomes helpful as Ella tries to find Lucinda to take back her gift and help save the day at the end of the film. What I really liked is how the enchantment is broken, which worked on at least two significant levels, which is two more than you usually get in a Hollywood film.
The only reason "Ella Enchanted" is not a truly superb film is because we have seen bits and pieces of this fractured fairy tale approach in things like "Into the Woods" and "Shrek." I would also toss out a working hypothesis that there are only so many variations on the Cinderella theme that you are willing to admit to the first level. For me that would be "Pretty Woman" and "Ever After" (having Hector Elizondo or Leonardo Da Vinci in the fairy godmother role appeals to me), but for young kids they might fall in love with "Ella Enchanted" in the same way.
Anne Hathaway makes that easy to do, especially when her character is forced to belt out a cover of Queen's "Somebody to Love." She has those big eyes and that bright smile and spins enough magic in this movie to make up for a by-the-numbers wasted sequel like "The Princess Diaries 2: Royal Engagement." Obviously she needs to break out of the "princess" mode and her next film, "Havoc," should provide that: she plays a wealthy L.A. teen who imitates the gangsta lifestyle of hip hop culture with her friends and then encounters a gang of real Latino drug dealers in the big bad city. Yep, that should break Hathaway out of the princess rut.
Customer Reviews:
Get enchanted with this amazing movie.......2007-08-03
Great movie for all the family!.......2006-06-25
Ella , Anne , they are both enchanted!.......2005-01-12
Too much like candyfloss for comfort.......2004-12-06
It is about Ella of Frell, blessed at birth by a wicked fairy to always do exactly what people tell her to, and as she gets older she is constantly being told to do things that are against her own interest and those of people she loves. She sets out amongst elves, giants and ogres to find the fairy and have her revoke the blessing turned curse. And along the way she falls in love with the hunky king to be, Prince Char.
The script has a lot of workable and quite cute ideas and somewhat witty anachronisms, and it even attempts to be a political allegory for our time, and the aim is discrimination and apartheid. So, it is nothing if not well-intentioned, and by far the best thing that can be said about it is that Anne Hathaway and Hugh Dancy have a sweet, dewy-eyed rapport as the star-struck young lovers, and fine actors abound in supporting roles, notably by Lucy Punch as Ella's deliciously evil older stepsister, and Cary Elwes cast refreshingly against type as the Prince's evil, murderous uncle.
Having said that 'Ella Enchanted' looks, and tastes, too much like candyfloss for comfort, but what is worse, the computer animation used to show giants, humans and elves in interaction is excruciatingly artificial to look at, it actually looks a lot less real than papier mache used to.
The film was obviously intended for children and teenage girls, but is simply not well enough made to deserve a big following.
If Ella is not enchanted then Anne Hathaway certainly is.......2004-08-28
Second, this really is a movie aimed at kids. I say this because the key twist in this story is that when Ella is born a rather second rate fairy named Lucinda (Vivica A. Fox) gives her the gift of obedience. This means that every time somebody tells Ella to do something, she has to do it. Now, for kids, younger kids, this is a truly nightmare scenario. Parents and other adults are always telling you to do something: what if they could MAKE you do whatever they wanted? Endless chores, homework, and probably music lessons would be your fate, which is essentially what happens to Ella when she grows up to be Anne Hathaway.
Hathaway is the star of this film and what promise she showed in "The Princess Dairies" is fulfilled her as she plays Ella as more of a civil rights advocate than a would be fairy princess. This is because in the other fun twist the regent, Prince Edgar (Carl Elwes, playing for the other side this time having done the hero bit in "The Princess Bride"), has ordered all the elves, ogres, giants and other non-humans to live in the forest, at least when they are not serving as slave labor in behalf of the kingdom. Ella knows this is wrong and while every other eligible maiden in the land is throwing themselves at the feet of Prince Charmont (Hugh Dancy), Ella is more interested in giving the heir a piece of her mind on the eve of his coronation.
Since this is a take off of a sort on Cinderella we have to have the wicked step mother (Joanna Lumley) and her daughters, the mean one, Hattie (Lucy Punch), and the stupid one, Olive (Jennifer Higham). One of the most problematic elements in the story is where the good and kindly father (Patrick Bergin) marries the wrong woman. When the fairy tale was first told it was commonplace for widows and widowers to marry (it worked well for young Abraham Lincoln), but now adays the logic of such marriages is a hit and miss proposition: we buy it in "Ever After" and we laugh at it in "A Cinderella Story." At least Ella's dad is not dead but simply off on business while his new wife and step-daughters treat Ella like she was a maid who gets dirty from the cinders in the fireplace.
I saw this 2004 film is aimed at kids because the injustices that Hattie heaps on Ella are going to drive the young ones right through the roof. I am old enough to know that things will work out for Ella in the end and I suspect most kids will know that too, but I am also old enough to want Hattie to get more of a comeuppance than she does in this film (or its alternative ending). But then I also know why the original Cinderella wore glass slippers (I cannot explain it because children might read this review; if you ever read the original story of "The Little Mermaid" then you know that most of the classic fairy tales talk a walk on the dark side).
There are lots of creative little touches that help this film along. Mandy (Minnie Driver), the inept house fairy who tries to look after Ella, has a boyfriend named Benny (Jimi Mistry), who is trapped in a book. Open the book and Benny can show you where somebody is and what they are doing, which becomes helpful as Ella tries to find Lucinda to take back her gift and help save the day at the end of the film. What I really liked is how the enchantment is broken, which worked on at least two significant levels, which is two more than you usually get in a Hollywood film.
The only reason "Ella Enchanted" is not a truly superb film is because we have seen bits and pieces of this fractured fairy tale approach in things like "Into the Woods" and "Shrek." I would also toss out a working hypothesis that there are only so many variations on the Cinderella theme that you are willing to admit to the first level. For me that would be "Pretty Woman" and "Ever After" (having Hector Elizondo or Leonardo Da Vinci in the fairy godmother role appeals to me), but for young kids they might fall in love with "Ella Enchanted" in the same way.
Anne Hathaway makes that easy to do, especially when her character is forced to belt out a cover of Queen's "Somebody to Love." She has those big eyes and that bright smile and spins enough magic in this movie to make up for a by-the-numbers wasted sequel like "The Princess Diaries 2: Royal Engagement." Obviously she needs to break out of the "princess" mode and her next film, "Havoc," should provide that: she plays a wealthy L.A. teen who imitates the gangsta lifestyle of hip hop culture with her friends and then encounters a gang of real Latino drug dealers in the big bad city. Yep, that should break Hathaway out of the princess rut.
DVD: