Amazon.co.uk Review
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
Customer Reviews:
Wow, where did that idea come from?.......2008-02-13
A corker of an idea for a modern day fairy tale given the full Gothic treatment by the most visually imaginative film maker around and it simply could not fail to be a stonking great success commercially (not so much maybe on its release but its subsequent video sales and rentals were massive), and is very possibly a creative masterpiece.
Great film but careful..........2008-02-12
Probably Tim Burton's best film. I was really disappointed though to find out that the dvd had no extras...
BEWARE- THE FILM IS CUT!!!.......2008-01-31
THE FILM IS REALLY NICE, BUT BE CAREFUL: THE FILM IS CUT. There are 15 secs out of the film- The cuts were applied to a closing fight scene,in order to keep a PG rating.
enjoy the movie,but keep that in mind!
Thanks for your time!
Not just your average fairytale...........2008-01-03
This is in my opinion the best film both Burton and Depp have every done! Johnny plays Edward down to a tee, and is by far the only actor I can imagine as Scissorhands....Tim Burton, a seriously underrated director amazes once again, in a blatant yet subtle mockery of middle-class America. One of my favourite films ever, and with a great moral at the end :)
Quick Reviews !.......2007-10-02
*** This comment may contain spoilers ***
The movie that established Depp in our minds, in probably his best performance as the deformed, unfinished creation of an eccentric scientist. Rightly called a modern fairy tale as it has all the hallmarks of those classic stories- a strange character, some sort of moral, a dark side, a world almost like our own but slightly warped, a story anyone can enjoy. Edward Scissorhands combines this story with some wonderful acting and characters, memorable score, beautiful cinematography and imagery, which makes an excellent, tender film with the typical Burton trademarks.
The story is told by a grandmother to her granddaughter, and we get to hear it too, beginning with Edward's creation and development. He grows and is taught about manners, etiquette and other things by his father, but is alone, never seeing or interacting with the outside world. From his room he can see the nearby neighbourhood, within touching distance, but as he is different he cannot go to them. One day his father dies, leaving him unfinished- with giant scissors where his hands should be. He does not understand, and stays in his massive dark house alone. When a local Avon lady, annoyed because of the lack of interest by her neighbours in what she is selling, she decides to try the scientists house, unaware of what is inside. No-one has been there before, it is a typical small town haunted house in the eyes of most. She enters the house when no-one answers, meets Edward and decides to take him home to her family as he is alone and a mess. Looking past his 'hands' she accepts him, and her son and husband also try to. Soon he becomes a ray of interesting light in the bored neighbourhood, everyone wants to meet the new guy, and he shows his talent for hedge and dog trimming. However, Edward is enchanted by Kim, the daughter and falls in love. Kim is with a bully of a boyfriend, and soon he and the rest of the neighbourhood take advantage of Edward- he just wants to be nice. Soon though his novelty wears off, and most people see him as evil and dangerous, something to disrupt their daily lives. They chase him away, and the story looks like it will end in tragedy.
Everything in the film works perfectly, every corner of the cast from actors to set designers all do amazingly well. It is one of those rare times when everything seems to come together and fit completely. Dianne West is ideal as the mother Peg, only wanting to help Edward, not trying to score points off her friends. Anthony Michael Hall as Kim's boyfriend is also an ingenious choice as he emits that typical jock persona, believing he can get whatever he wants, trying to overpower everyone but scared of his father. Vincent Price is the inventor, and gives an admirable and touching performance, a fitting way to end his illustrious career, and the rest of the family and neighbours are all uniquely odd, made even more strange by the routine they live in and the idyllic place they live. Ryder as Kim is also intensely sympathetic, first scared of Edward, but growing to understand and eventually fall in love with him. But overall, in acting terms it is Depp's film, and no-one could have done better. He completely takes over the role, adding little touches, eye movements and such to add to the character, so that we too love Edward by the end. However, his performance is such that we too realise he cannot be part of the community, he will never fully understand them as they cannot understand him, whether he is in love or not, and this could be harmful for him and others. He does not want to hurt anyone, and so must be on his own. He is a tragic figure, and the movie seems to be saying that the outcast can be heroic, beautiful and tender, but must remain an outcast to keep these characteristics.
Again Burton gives the Gothic look he has become famous for, and this is undoubtedly his most visually beautiful film. Batman had more stunning sets, camera work and stunts, but the charm factor here is almost overwhelming. The Gardens, snow, the ice sculptures, the picture perfect coloured houses and cars all juxtaposed against Edward and his habitat. Edward himself is a work of art, scarred but not horrific. Edward's home is a wonderful excuse for Burton and the designers to show off, full of shadows and weird inventions. The music adds immensely to the film, raising our emotions that much higher, and it is probably Elfman's best. Favourite scenes include Kim dancing under the falling ice, and Edward sitting on the pavement with the dog, but every shot and scene is excellent.
The only fault i can find with the film is that it isn't long enough, or rather, i wish it was longer just so we could be part of that world for a few minutes more. There could have been more scenes between Kim and Edward. It leaves you with a good feeling, and I cannot see any other faults with it. Some may feel it is overly sentimental, but it isn't, some may feel it is simple, but it is meant to be. A film for outcasts everywhere, but one which should be enjoyed by all, as we all feel like outcasts at some point.
The DVD has two good commentaries, and a featurette which are worth watching/hearing. A must for any collection
Amazon.co.uk Review
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
Customer Reviews:
Wow, where did that idea come from?.......2008-02-13
A corker of an idea for a modern day fairy tale given the full Gothic treatment by the most visually imaginative film maker around and it simply could not fail to be a stonking great success commercially (not so much maybe on its release but its subsequent video sales and rentals were massive), and is very possibly a creative masterpiece.
Great film but careful..........2008-02-12
Probably Tim Burton's best film. I was really disappointed though to find out that the dvd had no extras...
BEWARE- THE FILM IS CUT!!!.......2008-01-31
THE FILM IS REALLY NICE, BUT BE CAREFUL: THE FILM IS CUT. There are 15 secs out of the film- The cuts were applied to a closing fight scene,in order to keep a PG rating.
enjoy the movie,but keep that in mind!
Thanks for your time!
Not just your average fairytale...........2008-01-03
This is in my opinion the best film both Burton and Depp have every done! Johnny plays Edward down to a tee, and is by far the only actor I can imagine as Scissorhands....Tim Burton, a seriously underrated director amazes once again, in a blatant yet subtle mockery of middle-class America. One of my favourite films ever, and with a great moral at the end :)
Quick Reviews !.......2007-10-02
*** This comment may contain spoilers ***
The movie that established Depp in our minds, in probably his best performance as the deformed, unfinished creation of an eccentric scientist. Rightly called a modern fairy tale as it has all the hallmarks of those classic stories- a strange character, some sort of moral, a dark side, a world almost like our own but slightly warped, a story anyone can enjoy. Edward Scissorhands combines this story with some wonderful acting and characters, memorable score, beautiful cinematography and imagery, which makes an excellent, tender film with the typical Burton trademarks.
The story is told by a grandmother to her granddaughter, and we get to hear it too, beginning with Edward's creation and development. He grows and is taught about manners, etiquette and other things by his father, but is alone, never seeing or interacting with the outside world. From his room he can see the nearby neighbourhood, within touching distance, but as he is different he cannot go to them. One day his father dies, leaving him unfinished- with giant scissors where his hands should be. He does not understand, and stays in his massive dark house alone. When a local Avon lady, annoyed because of the lack of interest by her neighbours in what she is selling, she decides to try the scientists house, unaware of what is inside. No-one has been there before, it is a typical small town haunted house in the eyes of most. She enters the house when no-one answers, meets Edward and decides to take him home to her family as he is alone and a mess. Looking past his 'hands' she accepts him, and her son and husband also try to. Soon he becomes a ray of interesting light in the bored neighbourhood, everyone wants to meet the new guy, and he shows his talent for hedge and dog trimming. However, Edward is enchanted by Kim, the daughter and falls in love. Kim is with a bully of a boyfriend, and soon he and the rest of the neighbourhood take advantage of Edward- he just wants to be nice. Soon though his novelty wears off, and most people see him as evil and dangerous, something to disrupt their daily lives. They chase him away, and the story looks like it will end in tragedy.
Everything in the film works perfectly, every corner of the cast from actors to set designers all do amazingly well. It is one of those rare times when everything seems to come together and fit completely. Dianne West is ideal as the mother Peg, only wanting to help Edward, not trying to score points off her friends. Anthony Michael Hall as Kim's boyfriend is also an ingenious choice as he emits that typical jock persona, believing he can get whatever he wants, trying to overpower everyone but scared of his father. Vincent Price is the inventor, and gives an admirable and touching performance, a fitting way to end his illustrious career, and the rest of the family and neighbours are all uniquely odd, made even more strange by the routine they live in and the idyllic place they live. Ryder as Kim is also intensely sympathetic, first scared of Edward, but growing to understand and eventually fall in love with him. But overall, in acting terms it is Depp's film, and no-one could have done better. He completely takes over the role, adding little touches, eye movements and such to add to the character, so that we too love Edward by the end. However, his performance is such that we too realise he cannot be part of the community, he will never fully understand them as they cannot understand him, whether he is in love or not, and this could be harmful for him and others. He does not want to hurt anyone, and so must be on his own. He is a tragic figure, and the movie seems to be saying that the outcast can be heroic, beautiful and tender, but must remain an outcast to keep these characteristics.
Again Burton gives the Gothic look he has become famous for, and this is undoubtedly his most visually beautiful film. Batman had more stunning sets, camera work and stunts, but the charm factor here is almost overwhelming. The Gardens, snow, the ice sculptures, the picture perfect coloured houses and cars all juxtaposed against Edward and his habitat. Edward himself is a work of art, scarred but not horrific. Edward's home is a wonderful excuse for Burton and the designers to show off, full of shadows and weird inventions. The music adds immensely to the film, raising our emotions that much higher, and it is probably Elfman's best. Favourite scenes include Kim dancing under the falling ice, and Edward sitting on the pavement with the dog, but every shot and scene is excellent.
The only fault i can find with the film is that it isn't long enough, or rather, i wish it was longer just so we could be part of that world for a few minutes more. There could have been more scenes between Kim and Edward. It leaves you with a good feeling, and I cannot see any other faults with it. Some may feel it is overly sentimental, but it isn't, some may feel it is simple, but it is meant to be. A film for outcasts everywhere, but one which should be enjoyed by all, as we all feel like outcasts at some point.
The DVD has two good commentaries, and a featurette which are worth watching/hearing. A must for any collection
Amazon.co.uk Review
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
Customer Reviews:
Wow, where did that idea come from?.......2008-02-13
A corker of an idea for a modern day fairy tale given the full Gothic treatment by the most visually imaginative film maker around and it simply could not fail to be a stonking great success commercially (not so much maybe on its release but its subsequent video sales and rentals were massive), and is very possibly a creative masterpiece.
Great film but careful..........2008-02-12
Probably Tim Burton's best film. I was really disappointed though to find out that the dvd had no extras...
BEWARE- THE FILM IS CUT!!!.......2008-01-31
THE FILM IS REALLY NICE, BUT BE CAREFUL: THE FILM IS CUT. There are 15 secs out of the film- The cuts were applied to a closing fight scene,in order to keep a PG rating.
enjoy the movie,but keep that in mind!
Thanks for your time!
Not just your average fairytale...........2008-01-03
This is in my opinion the best film both Burton and Depp have every done! Johnny plays Edward down to a tee, and is by far the only actor I can imagine as Scissorhands....Tim Burton, a seriously underrated director amazes once again, in a blatant yet subtle mockery of middle-class America. One of my favourite films ever, and with a great moral at the end :)
Quick Reviews !.......2007-10-02
*** This comment may contain spoilers ***
The movie that established Depp in our minds, in probably his best performance as the deformed, unfinished creation of an eccentric scientist. Rightly called a modern fairy tale as it has all the hallmarks of those classic stories- a strange character, some sort of moral, a dark side, a world almost like our own but slightly warped, a story anyone can enjoy. Edward Scissorhands combines this story with some wonderful acting and characters, memorable score, beautiful cinematography and imagery, which makes an excellent, tender film with the typical Burton trademarks.
The story is told by a grandmother to her granddaughter, and we get to hear it too, beginning with Edward's creation and development. He grows and is taught about manners, etiquette and other things by his father, but is alone, never seeing or interacting with the outside world. From his room he can see the nearby neighbourhood, within touching distance, but as he is different he cannot go to them. One day his father dies, leaving him unfinished- with giant scissors where his hands should be. He does not understand, and stays in his massive dark house alone. When a local Avon lady, annoyed because of the lack of interest by her neighbours in what she is selling, she decides to try the scientists house, unaware of what is inside. No-one has been there before, it is a typical small town haunted house in the eyes of most. She enters the house when no-one answers, meets Edward and decides to take him home to her family as he is alone and a mess. Looking past his 'hands' she accepts him, and her son and husband also try to. Soon he becomes a ray of interesting light in the bored neighbourhood, everyone wants to meet the new guy, and he shows his talent for hedge and dog trimming. However, Edward is enchanted by Kim, the daughter and falls in love. Kim is with a bully of a boyfriend, and soon he and the rest of the neighbourhood take advantage of Edward- he just wants to be nice. Soon though his novelty wears off, and most people see him as evil and dangerous, something to disrupt their daily lives. They chase him away, and the story looks like it will end in tragedy.
Everything in the film works perfectly, every corner of the cast from actors to set designers all do amazingly well. It is one of those rare times when everything seems to come together and fit completely. Dianne West is ideal as the mother Peg, only wanting to help Edward, not trying to score points off her friends. Anthony Michael Hall as Kim's boyfriend is also an ingenious choice as he emits that typical jock persona, believing he can get whatever he wants, trying to overpower everyone but scared of his father. Vincent Price is the inventor, and gives an admirable and touching performance, a fitting way to end his illustrious career, and the rest of the family and neighbours are all uniquely odd, made even more strange by the routine they live in and the idyllic place they live. Ryder as Kim is also intensely sympathetic, first scared of Edward, but growing to understand and eventually fall in love with him. But overall, in acting terms it is Depp's film, and no-one could have done better. He completely takes over the role, adding little touches, eye movements and such to add to the character, so that we too love Edward by the end. However, his performance is such that we too realise he cannot be part of the community, he will never fully understand them as they cannot understand him, whether he is in love or not, and this could be harmful for him and others. He does not want to hurt anyone, and so must be on his own. He is a tragic figure, and the movie seems to be saying that the outcast can be heroic, beautiful and tender, but must remain an outcast to keep these characteristics.
Again Burton gives the Gothic look he has become famous for, and this is undoubtedly his most visually beautiful film. Batman had more stunning sets, camera work and stunts, but the charm factor here is almost overwhelming. The Gardens, snow, the ice sculptures, the picture perfect coloured houses and cars all juxtaposed against Edward and his habitat. Edward himself is a work of art, scarred but not horrific. Edward's home is a wonderful excuse for Burton and the designers to show off, full of shadows and weird inventions. The music adds immensely to the film, raising our emotions that much higher, and it is probably Elfman's best. Favourite scenes include Kim dancing under the falling ice, and Edward sitting on the pavement with the dog, but every shot and scene is excellent.
The only fault i can find with the film is that it isn't long enough, or rather, i wish it was longer just so we could be part of that world for a few minutes more. There could have been more scenes between Kim and Edward. It leaves you with a good feeling, and I cannot see any other faults with it. Some may feel it is overly sentimental, but it isn't, some may feel it is simple, but it is meant to be. A film for outcasts everywhere, but one which should be enjoyed by all, as we all feel like outcasts at some point.
The DVD has two good commentaries, and a featurette which are worth watching/hearing. A must for any collection
Amazon.co.uk Review
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
Customer Reviews:
Wow, where did that idea come from?.......2008-02-13
A corker of an idea for a modern day fairy tale given the full Gothic treatment by the most visually imaginative film maker around and it simply could not fail to be a stonking great success commercially (not so much maybe on its release but its subsequent video sales and rentals were massive), and is very possibly a creative masterpiece.
Great film but careful..........2008-02-12
Probably Tim Burton's best film. I was really disappointed though to find out that the dvd had no extras...
BEWARE- THE FILM IS CUT!!!.......2008-01-31
THE FILM IS REALLY NICE, BUT BE CAREFUL: THE FILM IS CUT. There are 15 secs out of the film- The cuts were applied to a closing fight scene,in order to keep a PG rating.
enjoy the movie,but keep that in mind!
Thanks for your time!
Not just your average fairytale...........2008-01-03
This is in my opinion the best film both Burton and Depp have every done! Johnny plays Edward down to a tee, and is by far the only actor I can imagine as Scissorhands....Tim Burton, a seriously underrated director amazes once again, in a blatant yet subtle mockery of middle-class America. One of my favourite films ever, and with a great moral at the end :)
Quick Reviews !.......2007-10-02
*** This comment may contain spoilers ***
The movie that established Depp in our minds, in probably his best performance as the deformed, unfinished creation of an eccentric scientist. Rightly called a modern fairy tale as it has all the hallmarks of those classic stories- a strange character, some sort of moral, a dark side, a world almost like our own but slightly warped, a story anyone can enjoy. Edward Scissorhands combines this story with some wonderful acting and characters, memorable score, beautiful cinematography and imagery, which makes an excellent, tender film with the typical Burton trademarks.
The story is told by a grandmother to her granddaughter, and we get to hear it too, beginning with Edward's creation and development. He grows and is taught about manners, etiquette and other things by his father, but is alone, never seeing or interacting with the outside world. From his room he can see the nearby neighbourhood, within touching distance, but as he is different he cannot go to them. One day his father dies, leaving him unfinished- with giant scissors where his hands should be. He does not understand, and stays in his massive dark house alone. When a local Avon lady, annoyed because of the lack of interest by her neighbours in what she is selling, she decides to try the scientists house, unaware of what is inside. No-one has been there before, it is a typical small town haunted house in the eyes of most. She enters the house when no-one answers, meets Edward and decides to take him home to her family as he is alone and a mess. Looking past his 'hands' she accepts him, and her son and husband also try to. Soon he becomes a ray of interesting light in the bored neighbourhood, everyone wants to meet the new guy, and he shows his talent for hedge and dog trimming. However, Edward is enchanted by Kim, the daughter and falls in love. Kim is with a bully of a boyfriend, and soon he and the rest of the neighbourhood take advantage of Edward- he just wants to be nice. Soon though his novelty wears off, and most people see him as evil and dangerous, something to disrupt their daily lives. They chase him away, and the story looks like it will end in tragedy.
Everything in the film works perfectly, every corner of the cast from actors to set designers all do amazingly well. It is one of those rare times when everything seems to come together and fit completely. Dianne West is ideal as the mother Peg, only wanting to help Edward, not trying to score points off her friends. Anthony Michael Hall as Kim's boyfriend is also an ingenious choice as he emits that typical jock persona, believing he can get whatever he wants, trying to overpower everyone but scared of his father. Vincent Price is the inventor, and gives an admirable and touching performance, a fitting way to end his illustrious career, and the rest of the family and neighbours are all uniquely odd, made even more strange by the routine they live in and the idyllic place they live. Ryder as Kim is also intensely sympathetic, first scared of Edward, but growing to understand and eventually fall in love with him. But overall, in acting terms it is Depp's film, and no-one could have done better. He completely takes over the role, adding little touches, eye movements and such to add to the character, so that we too love Edward by the end. However, his performance is such that we too realise he cannot be part of the community, he will never fully understand them as they cannot understand him, whether he is in love or not, and this could be harmful for him and others. He does not want to hurt anyone, and so must be on his own. He is a tragic figure, and the movie seems to be saying that the outcast can be heroic, beautiful and tender, but must remain an outcast to keep these characteristics.
Again Burton gives the Gothic look he has become famous for, and this is undoubtedly his most visually beautiful film. Batman had more stunning sets, camera work and stunts, but the charm factor here is almost overwhelming. The Gardens, snow, the ice sculptures, the picture perfect coloured houses and cars all juxtaposed against Edward and his habitat. Edward himself is a work of art, scarred but not horrific. Edward's home is a wonderful excuse for Burton and the designers to show off, full of shadows and weird inventions. The music adds immensely to the film, raising our emotions that much higher, and it is probably Elfman's best. Favourite scenes include Kim dancing under the falling ice, and Edward sitting on the pavement with the dog, but every shot and scene is excellent.
The only fault i can find with the film is that it isn't long enough, or rather, i wish it was longer just so we could be part of that world for a few minutes more. There could have been more scenes between Kim and Edward. It leaves you with a good feeling, and I cannot see any other faults with it. Some may feel it is overly sentimental, but it isn't, some may feel it is simple, but it is meant to be. A film for outcasts everywhere, but one which should be enjoyed by all, as we all feel like outcasts at some point.
The DVD has two good commentaries, and a featurette which are worth watching/hearing. A must for any collection
Amazon.co.uk Review
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
Customer Reviews:
Wow, where did that idea come from?.......2008-02-13
A corker of an idea for a modern day fairy tale given the full Gothic treatment by the most visually imaginative film maker around and it simply could not fail to be a stonking great success commercially (not so much maybe on its release but its subsequent video sales and rentals were massive), and is very possibly a creative masterpiece.
Great film but careful..........2008-02-12
Probably Tim Burton's best film. I was really disappointed though to find out that the dvd had no extras...
BEWARE- THE FILM IS CUT!!!.......2008-01-31
THE FILM IS REALLY NICE, BUT BE CAREFUL: THE FILM IS CUT. There are 15 secs out of the film- The cuts were applied to a closing fight scene,in order to keep a PG rating.
enjoy the movie,but keep that in mind!
Thanks for your time!
Not just your average fairytale...........2008-01-03
This is in my opinion the best film both Burton and Depp have every done! Johnny plays Edward down to a tee, and is by far the only actor I can imagine as Scissorhands....Tim Burton, a seriously underrated director amazes once again, in a blatant yet subtle mockery of middle-class America. One of my favourite films ever, and with a great moral at the end :)
Quick Reviews !.......2007-10-02
*** This comment may contain spoilers ***
The movie that established Depp in our minds, in probably his best performance as the deformed, unfinished creation of an eccentric scientist. Rightly called a modern fairy tale as it has all the hallmarks of those classic stories- a strange character, some sort of moral, a dark side, a world almost like our own but slightly warped, a story anyone can enjoy. Edward Scissorhands combines this story with some wonderful acting and characters, memorable score, beautiful cinematography and imagery, which makes an excellent, tender film with the typical Burton trademarks.
The story is told by a grandmother to her granddaughter, and we get to hear it too, beginning with Edward's creation and development. He grows and is taught about manners, etiquette and other things by his father, but is alone, never seeing or interacting with the outside world. From his room he can see the nearby neighbourhood, within touching distance, but as he is different he cannot go to them. One day his father dies, leaving him unfinished- with giant scissors where his hands should be. He does not understand, and stays in his massive dark house alone. When a local Avon lady, annoyed because of the lack of interest by her neighbours in what she is selling, she decides to try the scientists house, unaware of what is inside. No-one has been there before, it is a typical small town haunted house in the eyes of most. She enters the house when no-one answers, meets Edward and decides to take him home to her family as he is alone and a mess. Looking past his 'hands' she accepts him, and her son and husband also try to. Soon he becomes a ray of interesting light in the bored neighbourhood, everyone wants to meet the new guy, and he shows his talent for hedge and dog trimming. However, Edward is enchanted by Kim, the daughter and falls in love. Kim is with a bully of a boyfriend, and soon he and the rest of the neighbourhood take advantage of Edward- he just wants to be nice. Soon though his novelty wears off, and most people see him as evil and dangerous, something to disrupt their daily lives. They chase him away, and the story looks like it will end in tragedy.
Everything in the film works perfectly, every corner of the cast from actors to set designers all do amazingly well. It is one of those rare times when everything seems to come together and fit completely. Dianne West is ideal as the mother Peg, only wanting to help Edward, not trying to score points off her friends. Anthony Michael Hall as Kim's boyfriend is also an ingenious choice as he emits that typical jock persona, believing he can get whatever he wants, trying to overpower everyone but scared of his father. Vincent Price is the inventor, and gives an admirable and touching performance, a fitting way to end his illustrious career, and the rest of the family and neighbours are all uniquely odd, made even more strange by the routine they live in and the idyllic place they live. Ryder as Kim is also intensely sympathetic, first scared of Edward, but growing to understand and eventually fall in love with him. But overall, in acting terms it is Depp's film, and no-one could have done better. He completely takes over the role, adding little touches, eye movements and such to add to the character, so that we too love Edward by the end. However, his performance is such that we too realise he cannot be part of the community, he will never fully understand them as they cannot understand him, whether he is in love or not, and this could be harmful for him and others. He does not want to hurt anyone, and so must be on his own. He is a tragic figure, and the movie seems to be saying that the outcast can be heroic, beautiful and tender, but must remain an outcast to keep these characteristics.
Again Burton gives the Gothic look he has become famous for, and this is undoubtedly his most visually beautiful film. Batman had more stunning sets, camera work and stunts, but the charm factor here is almost overwhelming. The Gardens, snow, the ice sculptures, the picture perfect coloured houses and cars all juxtaposed against Edward and his habitat. Edward himself is a work of art, scarred but not horrific. Edward's home is a wonderful excuse for Burton and the designers to show off, full of shadows and weird inventions. The music adds immensely to the film, raising our emotions that much higher, and it is probably Elfman's best. Favourite scenes include Kim dancing under the falling ice, and Edward sitting on the pavement with the dog, but every shot and scene is excellent.
The only fault i can find with the film is that it isn't long enough, or rather, i wish it was longer just so we could be part of that world for a few minutes more. There could have been more scenes between Kim and Edward. It leaves you with a good feeling, and I cannot see any other faults with it. Some may feel it is overly sentimental, but it isn't, some may feel it is simple, but it is meant to be. A film for outcasts everywhere, but one which should be enjoyed by all, as we all feel like outcasts at some point.
The DVD has two good commentaries, and a featurette which are worth watching/hearing. A must for any collection
Amazon.co.uk Review
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer
On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
Customer Reviews:
Wow, where did that idea come from?.......2008-02-13
A corker of an idea for a modern day fairy tale given the full Gothic treatment by the most visually imaginative film maker around and it simply could not fail to be a stonking great success commercially (not so much maybe on its release but its subsequent video sales and rentals were massive), and is very possibly a creative masterpiece.
Great film but careful..........2008-02-12
Probably Tim Burton's best film. I was really disappointed though to find out that the dvd had no extras...
BEWARE- THE FILM IS CUT!!!.......2008-01-31
THE FILM IS REALLY NICE, BUT BE CAREFUL: THE FILM IS CUT. There are 15 secs out of the film- The cuts were applied to a closing fight scene,in order to keep a PG rating.
enjoy the movie,but keep that in mind!
Thanks for your time!
Not just your average fairytale...........2008-01-03
This is in my opinion the best film both Burton and Depp have every done! Johnny plays Edward down to a tee, and is by far the only actor I can imagine as Scissorhands....Tim Burton, a seriously underrated director amazes once again, in a blatant yet subtle mockery of middle-class America. One of my favourite films ever, and with a great moral at the end :)
Quick Reviews !.......2007-10-02
*** This comment may contain spoilers ***
The movie that established Depp in our minds, in probably his best performance as the deformed, unfinished creation of an eccentric scientist. Rightly called a modern fairy tale as it has all the hallmarks of those classic stories- a strange character, some sort of moral, a dark side, a world almost like our own but slightly warped, a story anyone can enjoy. Edward Scissorhands combines this story with some wonderful acting and characters, memorable score, beautiful cinematography and imagery, which makes an excellent, tender film with the typical Burton trademarks.
The story is told by a grandmother to her granddaughter, and we get to hear it too, beginning with Edward's creation and development. He grows and is taught about manners, etiquette and other things by his father, but is alone, never seeing or interacting with the outside world. From his room he can see the nearby neighbourhood, within touching distance, but as he is different he cannot go to them. One day his father dies, leaving him unfinished- with giant scissors where his hands should be. He does not understand, and stays in his massive dark house alone. When a local Avon lady, annoyed because of the lack of interest by her neighbours in what she is selling, she decides to try the scientists house, unaware of what is inside. No-one has been there before, it is a typical small town haunted house in the eyes of most. She enters the house when no-one answers, meets Edward and decides to take him home to her family as he is alone and a mess. Looking past his 'hands' she accepts him, and her son and husband also try to. Soon he becomes a ray of interesting light in the bored neighbourhood, everyone wants to meet the new guy, and he shows his talent for hedge and dog trimming. However, Edward is enchanted by Kim, the daughter and falls in love. Kim is with a bully of a boyfriend, and soon he and the rest of the neighbourhood take advantage of Edward- he just wants to be nice. Soon though his novelty wears off, and most people see him as evil and dangerous, something to disrupt their daily lives. They chase him away, and the story looks like it will end in tragedy.
Everything in the film works perfectly, every corner of the cast from actors to set designers all do amazingly well. It is one of those rare times when everything seems to come together and fit completely. Dianne West is ideal as the mother Peg, only wanting to help Edward, not trying to score points off her friends. Anthony Michael Hall as Kim's boyfriend is also an ingenious choice as he emits that typical jock persona, believing he can get whatever he wants, trying to overpower everyone but scared of his father. Vincent Price is the inventor, and gives an admirable and touching performance, a fitting way to end his illustrious career, and the rest of the family and neighbours are all uniquely odd, made even more strange by the routine they live in and the idyllic place they live. Ryder as Kim is also intensely sympathetic, first scared of Edward, but growing to understand and eventually fall in love with him. But overall, in acting terms it is Depp's film, and no-one could have done better. He completely takes over the role, adding little touches, eye movements and such to add to the character, so that we too love Edward by the end. However, his performance is such that we too realise he cannot be part of the community, he will never fully understand them as they cannot understand him, whether he is in love or not, and this could be harmful for him and others. He does not want to hurt anyone, and so must be on his own. He is a tragic figure, and the movie seems to be saying that the outcast can be heroic, beautiful and tender, but must remain an outcast to keep these characteristics.
Again Burton gives the Gothic look he has become famous for, and this is undoubtedly his most visually beautiful film. Batman had more stunning sets, camera work and stunts, but the charm factor here is almost overwhelming. The Gardens, snow, the ice sculptures, the picture perfect coloured houses and cars all juxtaposed against Edward and his habitat. Edward himself is a work of art, scarred but not horrific. Edward's home is a wonderful excuse for Burton and the designers to show off, full of shadows and weird inventions. The music adds immensely to the film, raising our emotions that much higher, and it is probably Elfman's best. Favourite scenes include Kim dancing under the falling ice, and Edward sitting on the pavement with the dog, but every shot and scene is excellent.
The only fault i can find with the film is that it isn't long enough, or rather, i wish it was longer just so we could be part of that world for a few minutes more. There could have been more scenes between Kim and Edward. It leaves you with a good feeling, and I cannot see any other faults with it. Some may feel it is overly sentimental, but it isn't, some may feel it is simple, but it is meant to be. A film for outcasts everywhere, but one which should be enjoyed by all, as we all feel like outcasts at some point.
The DVD has two good commentaries, and a featurette which are worth watching/hearing. A must for any collection
DVD Review:
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