Amazon.co.uk Review
Autobiographical movies rarely get more truthfully moving than Antwone Fisher. The title is also the name of this fine drama's first-time screenwriter, a former Navy seaman who was working as a film-studio security guard when his life-inspired script was developed as Denzel Washington's directorial debut. This Hollywood dream gets better: unbeknownst to the filmmakers, Derek Luke--a newcomer who won the title role over a throng of famous contenders--was also a friend of Fisher's, and the whole film seems blessed by this fortunate coincidence. Washington's sharp instincts as an actor serve him well, as both a subtle-handed director and Luke's costar playing Jerome Davenport, a Navy psychologist assigned to assess Fisher's chronic violent temper. Their therapy sessions prove mutually beneficial, as this touching true story addresses painful memories, broken desires, and heartfelt reunions without resorting to a contrived happy ending. Fisher's good life is worth celebrating, and Washington brings a delicate touch to the party. --Jeff Shannon
Customer Reviews:
Beautiful.......2005-04-06
There's an air of sweetness about this movie, despite the grim subject matter (touches on physical and inappropriate abuse of children, and the former is sometimes quite graphic, so be warned) and it's very difficult to feel pessimistic when watching it. Perhaps it's because of the light humor ("Hungry?" "I could eat."), or perhaps it's the innate sweetness and innocence of Derek Luke, who played Antwone. Probably it's a combination of both.
This is not to say that there aren't some heartwrenching moments, of course. There were scenes where I found myself wanting to reach through the TV screen and give this poor kid a hug. But the overall feel of the movie is one of triumph: Antwone Fisher was an angry, violent young man, yet he overcame that and became a really great person; he was abused and subsequently scared of women, yet he worked through that and found a wonderful girlfriend; he was lost and alone, yet at the end he found a family to love and be loved. Knowing that the movie is based on a true story only adds to the feeling of good prevailing over bad.
Denzel's first film where he both acted and directed, and one that he can definitely be proud of.
tissues at the ready!.......2005-02-25
Obviously not a well known film, but a fantastic one none the less. I haven't bought the dvd but am just doing so right now, having just watched the film on tv.
Simply, it's the touching story of a young man in the navy, delving into his past with the help of a navy pysciatrist, to get to the roots of an anger management problem. The film focuses on the journey that he makes and the telling of a horendous up-bringing, and in such a brilliant and moving way it leaves you speachless. Based on the real Antwone Fisher's past, the film brings his life to you in such a way you could almost talk as if you had been there - a definite sucess for Denzel Washington's directorial debut! Honestly, i can't praise the film enough!
Just make sure all watching have tissues near by!
Amazon.co.uk Review
Autobiographical movies rarely get more truthfully moving than Antwone Fisher. The title is also the name of this fine drama's first-time screenwriter, a former Navy seaman who was working as a film-studio security guard when his life-inspired script was developed as Denzel Washington's directorial debut. This Hollywood dream gets better: unbeknown to the filmmakers, Derek Luke--a newcomer who won the title role over a throng of famous contenders--was also a friend of Fisher's, and the whole film seems blessed by this fortunate coincidence. Washington's sharp instincts as an actor serve him well, as both a subtle-handed director and Luke's costar playing Jerome Davenport, a Navy psychologist assigned to assess Fisher's chronic violent temper. Their therapy sessions prove mutually beneficial, as this touching true story addresses painful memories, broken desires, and heartfelt reunions without resorting to a contrived happy ending. Fisher's good life is worth celebrating, and Washington brings a delicate touch to the party. --Jeff Shannon
Originally, Men of Honour was simply called Navy Diver and no doubt all involved held high hopes that it would be an award-winning biopic. Unfortunately, Carl Brashear's life as the first African-American Master Diver went through that vaguely distasteful contemporary Hollywood Marketing makeover and the result is not quite so worthy of its subject and intentions. The film's hopelessly clichéd tagline reads, "History is made by those who break the rules"; the direction is shot through with sunsets 'n' slow-mo; and the script is peppered with foreshadowing dialogue ("don't end up like me, son"). The plot devices follow a predictable arc: family poverty, a swiftly sweet romance, a shock accident, court hearing and, naturally, a grisly antagonist. It's with the last of these that the movie comes to life. We may have seen DeNiro spit nails countless times before, but his saltily intractable Master Chief is a terrific screen creation. Next to him, Cuba Gooding Jr really does shine as the endlessly persecuted Brashear. All-too brief cameos from Charlise Theron and Michael Rapaport lend sparkle too. But the film's message about how social attitudes toward race have changed is lost in a murky haze of Hollywoodisation. As one character declares, "some things just don't mix". --Paul Tonks
Customer Reviews:
Wanted: family ties and pancakes.......2006-02-17
Based on a true story, ANTWONE FISHER is about an enlisted sailor stationed aboard one of the Navy's assault helicopter carriers based in San Diego, and whose internalized anger surfaces through repeated brawls with his shipmates. Ordered into psychiatric evaluation, Fisher must either spill his guts or face almost certain discharge. The only good thing in Fisher's life is his growing attraction to a female sailor, who works in the post exchange.
Newcomer Derek Luke is excellent as Antwone. Denzel Washington directs; he also acts in a rare supporting role as the Navy shrink, Dr. Jerome Davenport, who discovers early on that Fisher's rage is rooted in his family ties, or rather their absence. Antwone's father was killed two months before his birth, the latter event taking place inside a prison where his mother was incarcerated. Once released, she never claimed custody of her child, but left him to languish under cruel physical and sexual abuse in a foster home. Fisher literally dreams of a big, loving family that sits him down at the head of a bounteous table and serves him his favorite comfort food - pancakes.
The pretty Joy Bryant is sweet and charming as Petty Officer Second Class Cheryl, who supports and loves Antwone through some difficult moments. (I don't remember enlisted WAVES like this during my Navy service! Maybe I should re-up for another 4-year hitch.)
Despite the inordinate amount of hype surrounding this film, it seemed a fairly ordinary plot as I sat and watched it. We've seen this before: disturbed young man is snapped out of it by a caring head doctor and the attentions of a good woman. Stifled yawn - 4 stars. But then the last 20 or so minutes kicked in. It woke me up.
For me, the most powerful scene was Antwone's poignant and powerful declaration to Eva (Viola Davis). You'll know it when you see it, and understand why. Take a hankie. And Davis deserved an Oscar nomination for her very short and almost silent part.
And finally, there's the big question. Does Antwone get his pancakes?
Director Denzel Washington comes up with a real winner.......2005-02-16
We have all heard the alarming statistics about how many African-American children are raised in homes without a father and the devastaing impact that has had on generations of such children, and on one level "Antwone Fisher" is about one such child. This 2003 film begins with a dream in which Antwone walks into a room and finds his entire family gathered for a big meal. Then he wakes up on the U.S. Navy aircraft carrier on which he serves. The next thing we know Antwone is getting into fights if anybody says the wrong word to him. The captain hits him with a list of punishments and also requires him to see a therapist, Jerome Davenport (Denzel Washington), before the ship sails again. Antwone refuses to talk and in the tradition of "Good Will Hunting" Davenport waits him out. Eventually Antwone begins to tell his story and we learn of his horrific childhood.
Antwone's father was murdered before he was born, which was in the prison where his mother was surving time. When we see him as a boy he is in a foster home where he is abused emotionally, physically, and sexually. All of his problems stem from what happened then and Davenport helps Antwone to put the pieces together. But the final part of the healing process is Davenport's insistance that he has to go and find his family, whatever there is left to be found, and confront the last of his demons. At this point we discover that everything in the first hour-and-a-half of "Antwone Fisher" has been mere prologue to the powerful series of scenes that conclude the film.
The story behind this film is almost as impressive as the film itself. Fisher was a security guard at the Sony Studio when his screenplay was bought and Denzel Washington decided to make it in his first try at director. Then throw into the mix Derek Luke, a newcomer who was cast in the lead role and the end result is even more impressive. We are told at the end of the film that Fisher based the screenplay on his life but dramatized some of the scenes, which is always the case, though rarely admitted so boldly. Of course such a comment immediately makes your curious as to what was changed and why, but I quickly decided I did not care. That was because I liked the way the film ended and I do not care if it "true" or not because of the way it rings true, which is what matters most in film. What makes "Antwone Fisher" worth the seeing is the value it places on family, most notably by it absence, but also by the idea that it is out there if it you can find it.
ANTWONE FISHER.......2004-10-17
A truly exceptional directors debut film for Denzel Washington. A very clear cut movie, which shows no boundaries for emotional expression.
This movie shows the emotional rollercoster that one brave sailor (Derek Luke) kept close to his heart, until the one thing he could not control, anger and aggression, lead to the room of Dr. Davenport(Denzel Washington). Here he explores the ups and mostly downs of his unfortunate past but also learns the values of the family he never knew.
Based on true life experiences of the title character, ANTWONE FISHER, this movie is guaranteed to put a lump in any human beings throat. A fantastic and gripping movie throughtout, recommended for all to watch.
Also see MEN OF HONOUR.
Director Denzel Washington comes up with a real winner.......2004-07-14
I live in a city that is off the beaten path, especially when it comes to movies. "Lost in Translation" never came here and "Crouching Tiger, Hidden Dragon" only made it to the local art theater. I remember when "Boyz in the Hood" came to town there was a story about it in the newspaper that made it sound for all the world that it was a foriegn film, and there is a sense in which that is true because the idea of living in a place where police helicopters are buzzing overhead all the time is beyond our experience. But even though films by African-American directors do not always manage to make it up this far into the Northland, I have made a point of checking them out when they are released on video and DVD. One of the main reasons is that directors like Spike Lee and John Singleton are making films that speaks to the African-American experience in America. This seems self-evident, but I have to tell you that very few movies have spoken to me directly about my life; I have identified with the television series "thirtysomething" and "Once and Again," at vastly different times in my life, more than anything else. But I can still appreciate the sense of purpose I almost always find in these films.
We have all heard the alarming statistics about how many African-American children are raised in homes without a father and the devastaing impact that has had on generations of such children, and on one level "Antwone Fisher" is about one such child. This 2003 film begins with a dream in which Antwone walks into a room and finds his entire family gathered for a big meal. Then he wakes up on the U.S. Navy aircraft carrier on which he serves. The next thing we know Antwone is getting into fights if anybody says the wrong word to him. The captain hits him with a list of punishments and also requires him to see a therapist, Jerome Davenport (Denzel Washington), before the ship sails again. Antwone refuses to talk and in the tradition of "Good Will Hunting" Davenport waits him out. Eventually Antwone begins to tell his story and we learn of his horrific childhood.
Antwone's father was murdered before he was born, which was in the prison where his mother was surving time. When we see him as a boy he is in a foster home where he is abused emotionally, physically, and sexually. All of his problems stem from what happened then and Davenport helps Antwone to put the pieces together. But the final part of the healing process is Davenport's insistance that he has to go and find his family, whatever there is left to be found, and confront the last of his demons. At this point we discover that everything in the first hour-and-a-half of "Antwone Fisher" has been mere prologue to the powerful series of scenes that conclude the film.
The story behind this film is almost as impressive as the film itself. Fisher was a security guard at the Sony Studio when his screenplay was bought and Denzel Washington decided to make it in his first try at director. Then throw into the mix Derek Luke, a newcomer who was cast in the lead role and the end result is even more impressive. We are told at the end of the film that Fisher based the screenplay on his life but dramatized some of the scenes, which is always the case, though rarely admitted so boldly. Of course such a comment immediately makes your curious as to what was changed and why, but I quickly decided I did not care. That was because I liked the way the film ended and I do not care if it "true" or not because of the way it rings true, which is what matters most in film. What makes "Antwone Fisher" worth the seeing is the value it places on family, most notably by it absence, but also by the idea that it is out there if it you can find it.
Facing the Past and Confronting Inner Demons........2004-01-19
To be honest, I was a little hesitant to see "Antwone Fisher," the directorial debut by Denzel Washington. Movies directed by actors can be little more than self-serving vanity projects that merely say, "Hey! I'm an actor! And I can also direct! I'm so multitalented!" You can say the same thing about this movie, but you would be wrong. While it's a little sentimental at times, "Antwone Fisher" is one of the most heartfelt and genuine movies of 2002. Derek Luke is the title character, a young and hotheaded seaman who gets sent to Jerome Davenport (Washington) for psychiatric evaluation following a heated brawl with another soldier. From there, the two begin a painful journey that involves discovering the roots of Fisher's anger and, more important, the broken family that left him behind. It's often disturbing to see the psychological abuse Fisher suffered at the hands of his elders, and his strong will and tenacity make him all the more respectable. Luke gives a decidedly low-key yet strong performance and holds his own admirably against seasoned pro (and two-time Oscar winner) Washington. But if I have a slight bone to pick with this movie, it's that its plot has a bit of a "heard it before" feel. Several movies ("Good Will Hunting" comes to mind) have already featured a story about a troubled kid whose life gets turned around by an older mentor. Yet, "Antwone Fisher" earns its four stars thanks to its classy, non-flashy direction by Denzel and a solid performance by Luke.
Amazon.co.uk Review
Autobiographical movies rarely get more truthfully moving than Antwone Fisher. The title is also the name of this fine drama's first-time screenwriter, a former Navy seaman who was working as a film-studio security guard when his life-inspired script was developed as Denzel Washington's directorial debut. This Hollywood dream gets better: unbeknown to the filmmakers, Derek Luke--a newcomer who won the title role over a throng of famous contenders--was also a friend of Fisher's, and the whole film seems blessed by this fortunate coincidence. Washington's sharp instincts as an actor serve him well, as both a subtle-handed director and Luke's costar playing Jerome Davenport, a Navy psychologist assigned to assess Fisher's chronic violent temper. Their therapy sessions prove mutually beneficial, as this touching true story addresses painful memories, broken desires, and heartfelt reunions without resorting to a contrived happy ending. Fisher's good life is worth celebrating, and Washington brings a delicate touch to the party. --Jeff Shannon
Originally, Men of Honour was simply called Navy Diver and no doubt all involved held high hopes that it would be an award-winning biopic. Unfortunately, Carl Brashear's life as the first African-American Master Diver went through that vaguely distasteful contemporary Hollywood Marketing makeover and the result is not quite so worthy of its subject and intentions. The film's hopelessly clichéd tagline reads, "History is made by those who break the rules"; the direction is shot through with sunsets 'n' slow-mo; and the script is peppered with foreshadowing dialogue ("don't end up like me, son"). The plot devices follow a predictable arc: family poverty, a swiftly sweet romance, a shock accident, court hearing and, naturally, a grisly antagonist. It's with the last of these that the movie comes to life. We may have seen DeNiro spit nails countless times before, but his saltily intractable Master Chief is a terrific screen creation. Next to him, Cuba Gooding Jr really does shine as the endlessly persecuted Brashear. All-too brief cameos from Charlise Theron and Michael Rapaport lend sparkle too. But the film's message about how social attitudes toward race have changed is lost in a murky haze of Hollywoodisation. As one character declares, "some things just don't mix". --Paul Tonks
Customer Reviews:
Wanted: family ties and pancakes.......2006-02-17
Based on a true story, ANTWONE FISHER is about an enlisted sailor stationed aboard one of the Navy's assault helicopter carriers based in San Diego, and whose internalized anger surfaces through repeated brawls with his shipmates. Ordered into psychiatric evaluation, Fisher must either spill his guts or face almost certain discharge. The only good thing in Fisher's life is his growing attraction to a female sailor, who works in the post exchange.
Newcomer Derek Luke is excellent as Antwone. Denzel Washington directs; he also acts in a rare supporting role as the Navy shrink, Dr. Jerome Davenport, who discovers early on that Fisher's rage is rooted in his family ties, or rather their absence. Antwone's father was killed two months before his birth, the latter event taking place inside a prison where his mother was incarcerated. Once released, she never claimed custody of her child, but left him to languish under cruel physical and sexual abuse in a foster home. Fisher literally dreams of a big, loving family that sits him down at the head of a bounteous table and serves him his favorite comfort food - pancakes.
The pretty Joy Bryant is sweet and charming as Petty Officer Second Class Cheryl, who supports and loves Antwone through some difficult moments. (I don't remember enlisted WAVES like this during my Navy service! Maybe I should re-up for another 4-year hitch.)
Despite the inordinate amount of hype surrounding this film, it seemed a fairly ordinary plot as I sat and watched it. We've seen this before: disturbed young man is snapped out of it by a caring head doctor and the attentions of a good woman. Stifled yawn - 4 stars. But then the last 20 or so minutes kicked in. It woke me up.
For me, the most powerful scene was Antwone's poignant and powerful declaration to Eva (Viola Davis). You'll know it when you see it, and understand why. Take a hankie. And Davis deserved an Oscar nomination for her very short and almost silent part.
And finally, there's the big question. Does Antwone get his pancakes?
Director Denzel Washington comes up with a real winner.......2005-02-16
We have all heard the alarming statistics about how many African-American children are raised in homes without a father and the devastaing impact that has had on generations of such children, and on one level "Antwone Fisher" is about one such child. This 2003 film begins with a dream in which Antwone walks into a room and finds his entire family gathered for a big meal. Then he wakes up on the U.S. Navy aircraft carrier on which he serves. The next thing we know Antwone is getting into fights if anybody says the wrong word to him. The captain hits him with a list of punishments and also requires him to see a therapist, Jerome Davenport (Denzel Washington), before the ship sails again. Antwone refuses to talk and in the tradition of "Good Will Hunting" Davenport waits him out. Eventually Antwone begins to tell his story and we learn of his horrific childhood.
Antwone's father was murdered before he was born, which was in the prison where his mother was surving time. When we see him as a boy he is in a foster home where he is abused emotionally, physically, and sexually. All of his problems stem from what happened then and Davenport helps Antwone to put the pieces together. But the final part of the healing process is Davenport's insistance that he has to go and find his family, whatever there is left to be found, and confront the last of his demons. At this point we discover that everything in the first hour-and-a-half of "Antwone Fisher" has been mere prologue to the powerful series of scenes that conclude the film.
The story behind this film is almost as impressive as the film itself. Fisher was a security guard at the Sony Studio when his screenplay was bought and Denzel Washington decided to make it in his first try at director. Then throw into the mix Derek Luke, a newcomer who was cast in the lead role and the end result is even more impressive. We are told at the end of the film that Fisher based the screenplay on his life but dramatized some of the scenes, which is always the case, though rarely admitted so boldly. Of course such a comment immediately makes your curious as to what was changed and why, but I quickly decided I did not care. That was because I liked the way the film ended and I do not care if it "true" or not because of the way it rings true, which is what matters most in film. What makes "Antwone Fisher" worth the seeing is the value it places on family, most notably by it absence, but also by the idea that it is out there if it you can find it.
ANTWONE FISHER.......2004-10-17
A truly exceptional directors debut film for Denzel Washington. A very clear cut movie, which shows no boundaries for emotional expression.
This movie shows the emotional rollercoster that one brave sailor (Derek Luke) kept close to his heart, until the one thing he could not control, anger and aggression, lead to the room of Dr. Davenport(Denzel Washington). Here he explores the ups and mostly downs of his unfortunate past but also learns the values of the family he never knew.
Based on true life experiences of the title character, ANTWONE FISHER, this movie is guaranteed to put a lump in any human beings throat. A fantastic and gripping movie throughtout, recommended for all to watch.
Also see MEN OF HONOUR.
Director Denzel Washington comes up with a real winner.......2004-07-14
I live in a city that is off the beaten path, especially when it comes to movies. "Lost in Translation" never came here and "Crouching Tiger, Hidden Dragon" only made it to the local art theater. I remember when "Boyz in the Hood" came to town there was a story about it in the newspaper that made it sound for all the world that it was a foriegn film, and there is a sense in which that is true because the idea of living in a place where police helicopters are buzzing overhead all the time is beyond our experience. But even though films by African-American directors do not always manage to make it up this far into the Northland, I have made a point of checking them out when they are released on video and DVD. One of the main reasons is that directors like Spike Lee and John Singleton are making films that speaks to the African-American experience in America. This seems self-evident, but I have to tell you that very few movies have spoken to me directly about my life; I have identified with the television series "thirtysomething" and "Once and Again," at vastly different times in my life, more than anything else. But I can still appreciate the sense of purpose I almost always find in these films.
We have all heard the alarming statistics about how many African-American children are raised in homes without a father and the devastaing impact that has had on generations of such children, and on one level "Antwone Fisher" is about one such child. This 2003 film begins with a dream in which Antwone walks into a room and finds his entire family gathered for a big meal. Then he wakes up on the U.S. Navy aircraft carrier on which he serves. The next thing we know Antwone is getting into fights if anybody says the wrong word to him. The captain hits him with a list of punishments and also requires him to see a therapist, Jerome Davenport (Denzel Washington), before the ship sails again. Antwone refuses to talk and in the tradition of "Good Will Hunting" Davenport waits him out. Eventually Antwone begins to tell his story and we learn of his horrific childhood.
Antwone's father was murdered before he was born, which was in the prison where his mother was surving time. When we see him as a boy he is in a foster home where he is abused emotionally, physically, and sexually. All of his problems stem from what happened then and Davenport helps Antwone to put the pieces together. But the final part of the healing process is Davenport's insistance that he has to go and find his family, whatever there is left to be found, and confront the last of his demons. At this point we discover that everything in the first hour-and-a-half of "Antwone Fisher" has been mere prologue to the powerful series of scenes that conclude the film.
The story behind this film is almost as impressive as the film itself. Fisher was a security guard at the Sony Studio when his screenplay was bought and Denzel Washington decided to make it in his first try at director. Then throw into the mix Derek Luke, a newcomer who was cast in the lead role and the end result is even more impressive. We are told at the end of the film that Fisher based the screenplay on his life but dramatized some of the scenes, which is always the case, though rarely admitted so boldly. Of course such a comment immediately makes your curious as to what was changed and why, but I quickly decided I did not care. That was because I liked the way the film ended and I do not care if it "true" or not because of the way it rings true, which is what matters most in film. What makes "Antwone Fisher" worth the seeing is the value it places on family, most notably by it absence, but also by the idea that it is out there if it you can find it.
Facing the Past and Confronting Inner Demons........2004-01-19
To be honest, I was a little hesitant to see "Antwone Fisher," the directorial debut by Denzel Washington. Movies directed by actors can be little more than self-serving vanity projects that merely say, "Hey! I'm an actor! And I can also direct! I'm so multitalented!" You can say the same thing about this movie, but you would be wrong. While it's a little sentimental at times, "Antwone Fisher" is one of the most heartfelt and genuine movies of 2002. Derek Luke is the title character, a young and hotheaded seaman who gets sent to Jerome Davenport (Washington) for psychiatric evaluation following a heated brawl with another soldier. From there, the two begin a painful journey that involves discovering the roots of Fisher's anger and, more important, the broken family that left him behind. It's often disturbing to see the psychological abuse Fisher suffered at the hands of his elders, and his strong will and tenacity make him all the more respectable. Luke gives a decidedly low-key yet strong performance and holds his own admirably against seasoned pro (and two-time Oscar winner) Washington. But if I have a slight bone to pick with this movie, it's that its plot has a bit of a "heard it before" feel. Several movies ("Good Will Hunting" comes to mind) have already featured a story about a troubled kid whose life gets turned around by an older mentor. Yet, "Antwone Fisher" earns its four stars thanks to its classy, non-flashy direction by Denzel and a solid performance by Luke.
Amazon.co.uk Review
Autobiographical movies rarely get more truthfully moving than Antwone Fisher. The title is also the name of this fine drama's first-time screenwriter, a former Navy seaman who was working as a film-studio security guard when his life-inspired script was developed as Denzel Washington's directorial debut. This Hollywood dream gets better: unbeknown to the filmmakers, Derek Luke--a newcomer who won the title role over a throng of famous contenders--was also a friend of Fisher's, and the whole film seems blessed by this fortunate coincidence. Washington's sharp instincts as an actor serve him well, as both a subtle-handed director and Luke's costar playing Jerome Davenport, a Navy psychologist assigned to assess Fisher's chronic violent temper. Their therapy sessions prove mutually beneficial, as this touching true story addresses painful memories, broken desires, and heartfelt reunions without resorting to a contrived happy ending. Fisher's good life is worth celebrating, and Washington brings a delicate touch to the party. --Jeff Shannon
Originally, Men of Honour was simply called Navy Diver and no doubt all involved held high hopes that it would be an award-winning biopic. Unfortunately, Carl Brashear's life as the first African-American Master Diver went through that vaguely distasteful contemporary Hollywood Marketing makeover and the result is not quite so worthy of its subject and intentions. The film's hopelessly clichéd tagline reads, "History is made by those who break the rules"; the direction is shot through with sunsets 'n' slow-mo; and the script is peppered with foreshadowing dialogue ("don't end up like me, son"). The plot devices follow a predictable arc: family poverty, a swiftly sweet romance, a shock accident, court hearing and, naturally, a grisly antagonist. It's with the last of these that the movie comes to life. We may have seen DeNiro spit nails countless times before, but his saltily intractable Master Chief is a terrific screen creation. Next to him, Cuba Gooding Jr really does shine as the endlessly persecuted Brashear. All-too brief cameos from Charlise Theron and Michael Rapaport lend sparkle too. But the film's message about how social attitudes toward race have changed is lost in a murky haze of Hollywoodisation. As one character declares, "some things just don't mix". --Paul Tonks
Customer Reviews:
Wanted: family ties and pancakes.......2006-02-17
Based on a true story, ANTWONE FISHER is about an enlisted sailor stationed aboard one of the Navy's assault helicopter carriers based in San Diego, and whose internalized anger surfaces through repeated brawls with his shipmates. Ordered into psychiatric evaluation, Fisher must either spill his guts or face almost certain discharge. The only good thing in Fisher's life is his growing attraction to a female sailor, who works in the post exchange.
Newcomer Derek Luke is excellent as Antwone. Denzel Washington directs; he also acts in a rare supporting role as the Navy shrink, Dr. Jerome Davenport, who discovers early on that Fisher's rage is rooted in his family ties, or rather their absence. Antwone's father was killed two months before his birth, the latter event taking place inside a prison where his mother was incarcerated. Once released, she never claimed custody of her child, but left him to languish under cruel physical and sexual abuse in a foster home. Fisher literally dreams of a big, loving family that sits him down at the head of a bounteous table and serves him his favorite comfort food - pancakes.
The pretty Joy Bryant is sweet and charming as Petty Officer Second Class Cheryl, who supports and loves Antwone through some difficult moments. (I don't remember enlisted WAVES like this during my Navy service! Maybe I should re-up for another 4-year hitch.)
Despite the inordinate amount of hype surrounding this film, it seemed a fairly ordinary plot as I sat and watched it. We've seen this before: disturbed young man is snapped out of it by a caring head doctor and the attentions of a good woman. Stifled yawn - 4 stars. But then the last 20 or so minutes kicked in. It woke me up.
For me, the most powerful scene was Antwone's poignant and powerful declaration to Eva (Viola Davis). You'll know it when you see it, and understand why. Take a hankie. And Davis deserved an Oscar nomination for her very short and almost silent part.
And finally, there's the big question. Does Antwone get his pancakes?
Director Denzel Washington comes up with a real winner.......2005-02-16
We have all heard the alarming statistics about how many African-American children are raised in homes without a father and the devastaing impact that has had on generations of such children, and on one level "Antwone Fisher" is about one such child. This 2003 film begins with a dream in which Antwone walks into a room and finds his entire family gathered for a big meal. Then he wakes up on the U.S. Navy aircraft carrier on which he serves. The next thing we know Antwone is getting into fights if anybody says the wrong word to him. The captain hits him with a list of punishments and also requires him to see a therapist, Jerome Davenport (Denzel Washington), before the ship sails again. Antwone refuses to talk and in the tradition of "Good Will Hunting" Davenport waits him out. Eventually Antwone begins to tell his story and we learn of his horrific childhood.
Antwone's father was murdered before he was born, which was in the prison where his mother was surving time. When we see him as a boy he is in a foster home where he is abused emotionally, physically, and sexually. All of his problems stem from what happened then and Davenport helps Antwone to put the pieces together. But the final part of the healing process is Davenport's insistance that he has to go and find his family, whatever there is left to be found, and confront the last of his demons. At this point we discover that everything in the first hour-and-a-half of "Antwone Fisher" has been mere prologue to the powerful series of scenes that conclude the film.
The story behind this film is almost as impressive as the film itself. Fisher was a security guard at the Sony Studio when his screenplay was bought and Denzel Washington decided to make it in his first try at director. Then throw into the mix Derek Luke, a newcomer who was cast in the lead role and the end result is even more impressive. We are told at the end of the film that Fisher based the screenplay on his life but dramatized some of the scenes, which is always the case, though rarely admitted so boldly. Of course such a comment immediately makes your curious as to what was changed and why, but I quickly decided I did not care. That was because I liked the way the film ended and I do not care if it "true" or not because of the way it rings true, which is what matters most in film. What makes "Antwone Fisher" worth the seeing is the value it places on family, most notably by it absence, but also by the idea that it is out there if it you can find it.
ANTWONE FISHER.......2004-10-17
A truly exceptional directors debut film for Denzel Washington. A very clear cut movie, which shows no boundaries for emotional expression.
This movie shows the emotional rollercoster that one brave sailor (Derek Luke) kept close to his heart, until the one thing he could not control, anger and aggression, lead to the room of Dr. Davenport(Denzel Washington). Here he explores the ups and mostly downs of his unfortunate past but also learns the values of the family he never knew.
Based on true life experiences of the title character, ANTWONE FISHER, this movie is guaranteed to put a lump in any human beings throat. A fantastic and gripping movie throughtout, recommended for all to watch.
Also see MEN OF HONOUR.
Director Denzel Washington comes up with a real winner.......2004-07-14
I live in a city that is off the beaten path, especially when it comes to movies. "Lost in Translation" never came here and "Crouching Tiger, Hidden Dragon" only made it to the local art theater. I remember when "Boyz in the Hood" came to town there was a story about it in the newspaper that made it sound for all the world that it was a foriegn film, and there is a sense in which that is true because the idea of living in a place where police helicopters are buzzing overhead all the time is beyond our experience. But even though films by African-American directors do not always manage to make it up this far into the Northland, I have made a point of checking them out when they are released on video and DVD. One of the main reasons is that directors like Spike Lee and John Singleton are making films that speaks to the African-American experience in America. This seems self-evident, but I have to tell you that very few movies have spoken to me directly about my life; I have identified with the television series "thirtysomething" and "Once and Again," at vastly different times in my life, more than anything else. But I can still appreciate the sense of purpose I almost always find in these films.
We have all heard the alarming statistics about how many African-American children are raised in homes without a father and the devastaing impact that has had on generations of such children, and on one level "Antwone Fisher" is about one such child. This 2003 film begins with a dream in which Antwone walks into a room and finds his entire family gathered for a big meal. Then he wakes up on the U.S. Navy aircraft carrier on which he serves. The next thing we know Antwone is getting into fights if anybody says the wrong word to him. The captain hits him with a list of punishments and also requires him to see a therapist, Jerome Davenport (Denzel Washington), before the ship sails again. Antwone refuses to talk and in the tradition of "Good Will Hunting" Davenport waits him out. Eventually Antwone begins to tell his story and we learn of his horrific childhood.
Antwone's father was murdered before he was born, which was in the prison where his mother was surving time. When we see him as a boy he is in a foster home where he is abused emotionally, physically, and sexually. All of his problems stem from what happened then and Davenport helps Antwone to put the pieces together. But the final part of the healing process is Davenport's insistance that he has to go and find his family, whatever there is left to be found, and confront the last of his demons. At this point we discover that everything in the first hour-and-a-half of "Antwone Fisher" has been mere prologue to the powerful series of scenes that conclude the film.
The story behind this film is almost as impressive as the film itself. Fisher was a security guard at the Sony Studio when his screenplay was bought and Denzel Washington decided to make it in his first try at director. Then throw into the mix Derek Luke, a newcomer who was cast in the lead role and the end result is even more impressive. We are told at the end of the film that Fisher based the screenplay on his life but dramatized some of the scenes, which is always the case, though rarely admitted so boldly. Of course such a comment immediately makes your curious as to what was changed and why, but I quickly decided I did not care. That was because I liked the way the film ended and I do not care if it "true" or not because of the way it rings true, which is what matters most in film. What makes "Antwone Fisher" worth the seeing is the value it places on family, most notably by it absence, but also by the idea that it is out there if it you can find it.
Facing the Past and Confronting Inner Demons........2004-01-19
To be honest, I was a little hesitant to see "Antwone Fisher," the directorial debut by Denzel Washington. Movies directed by actors can be little more than self-serving vanity projects that merely say, "Hey! I'm an actor! And I can also direct! I'm so multitalented!" You can say the same thing about this movie, but you would be wrong. While it's a little sentimental at times, "Antwone Fisher" is one of the most heartfelt and genuine movies of 2002. Derek Luke is the title character, a young and hotheaded seaman who gets sent to Jerome Davenport (Washington) for psychiatric evaluation following a heated brawl with another soldier. From there, the two begin a painful journey that involves discovering the roots of Fisher's anger and, more important, the broken family that left him behind. It's often disturbing to see the psychological abuse Fisher suffered at the hands of his elders, and his strong will and tenacity make him all the more respectable. Luke gives a decidedly low-key yet strong performance and holds his own admirably against seasoned pro (and two-time Oscar winner) Washington. But if I have a slight bone to pick with this movie, it's that its plot has a bit of a "heard it before" feel. Several movies ("Good Will Hunting" comes to mind) have already featured a story about a troubled kid whose life gets turned around by an older mentor. Yet, "Antwone Fisher" earns its four stars thanks to its classy, non-flashy direction by Denzel and a solid performance by Luke.
UK DVD:
- Atonement/Pride And Prejudice [2005]
- Babel [2006]
- Blood Ties - Complete Series 1
- Bury My Heart At Wounded Knee (HBO) [2007]
- Cadfael - The Complete Collection - Series 1 To 4 [1994]
- City Of Angels [1998]
- City Of God (Cidade De Deus) [2003]
- City of Vice - Series 1 [2008]
- Clockwork Orange [1972]
- Cracker Complete Collection Box Set
UK DVD List
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Finding Fish: A Memoir
Who Will Cry for the Little Boy?: Poems
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